Lady Gaga’s 2025 Coachella Performance Was Nothing Less Than a Satanic Megaritual

Considered one of the “coolest” festivals in the world, Coachella is a yearly event where pop music and fashionable people converge for a weekend of partying. Of course, Lady Gaga is a natural fit in this environment, and over 100,000 people made sure to be in attendance for her live performance.

While Gaga had already performed at the festival in 2017, nobody truly expected what she had in store for this year’s edition: a nearly two-hour-long theatrical show with props, visual effects, massive sets, and pyrotechnics. It was big, elaborate, and meticulously choreographed to tell a story—but not any kind of story. It was a ritual drama, the kind enacted in occult secret societies during initiation ceremonies.

And it was blatantly satanic. It was so satanic that even the state-owned BBC had to acknowledge this fact.

Fans swarmed to catch the Poker Face singer perform songs from her new album Mayhem, delivering a visual spectacle by opening her set with what can only be described as a satanic ritual to her 2011 song Bloody Mary.
– BBC, Stars mingle in Coachella audience as Lady Gaga wows festivalgoers

Divided into four acts, Gaga’s performance strung together her biggest hits and songs from her most recent album Mayhem in a way that fit the overarching narrative of death and rebirth. Of course, it was highly ritualistic and heavy with spiritual meaning.

Here’s a look at this intense performance.

Abracadabra

The lady on the left is named Mahem, aka the Mistress. She’s a demonic figure symbolically dressed in red –  the color of initiation, sacrifice, and transformation in occultism. Mayhem faces Gaga, dressed in white, representing the purity of the uninitiated candidate.

If you’ve read previous articles on this site, you already know where this is going. The overarching narrative and the color codes used in this performance are a recurrent theme in the music industry, and Lady Gaga is one of the pop stars who brought this occult-inspired symbolism to the mainstream.

This is the part the BBC said “it can only be described as Satanic.” Gaga performs Bloody Mary, a song in which she plays the role of Jesus’ girlfriend Mary Magdalene. Yes, it is blasphemous, like many other songs in her repertoire.

At this point, Gaga (as Mayhem) performs Abracadabra, a song with a deep occult meaning. In an interview, Gaga even stated that the song “contained a spell inside.” This symbolic song marks the beginning of a magical ceremony. Or is it a Black Mass where Christianity as a way to praise Satan?

Case in point, Gaga’s next song is Judas, in which she sings:

In the most Biblical sense, I am beyond repentance
Fame hooker, prostitute, wench vomits her mind

(…)

I wanna love you
But something’s pulling me away from you
Jesus is my virtue
And Judas is the demon I cling to

After a few songs performed by the Mistress, this theatrical play introduces a new character.

At this point, the two characters perform Poker Face, Lady Gaga’s first major hit, emphasizing that this white-clad character is a pure, innocent newcomer.

Everything about the scene above points directly to the most crucial concept in occultism: Duality.

The battle between Gaga and Mayhem ends with a clear winner.

At this point, the entire cast chants “off with her head” – a phrase usually associated with the Queen of Hearts in Alice in Wonderland. Appropriately enough, this fairy tale is one of the occult elite’s favorite MK programming scripts.

In other words, we are witnessing the “beheading” of Lady Gaga before her reprogramming as a new entity. On a spiritual level, she will undergo a symbolic death and rebirth.

In secret societies, initiations often follow the same script: The candidate is subjected to hardships, undergoes a symbolic death, and returns to life as a new, “illuminated” person. That’s pretty much the narrative of Gaga’s show … with some weird twists.

As the act ends, the music becomes dark, intense, and dissonant, as if indicating that we’re witnessing a supernatural event.

The next act takes us to the next phase of Gaga’s transformation.

Surrounded by death, Gaga performs Perfect Celebrity, a song about the dark side of the entertainment industry. Some of the song’s lyrics are quite telling:

I’m made of plastic like a human doll
You push and pull me, I don’t hurt at all
I talk in circles cuz my brain it aches
You say I love you
I disintegrate

I’ve become a notorious being
Find my clone she’s asleep on the ceiling now
Can’t get me down
You love to hate me
I’m the perfect celebrity

(…)

I look so hungry but I look so good
Tap on my vein suck on my diamond blood
Choke on the fame and hope it gets you high
Sit in the front row watch the princess die

Everything about this song alludes to mind-controlled -and even cloned celebrities, who end up being sacrificed (“watch the princess die”).

As Gaga performs Paparazzi, she wears the robotic outfit seen in the song’s highly symbolic video. Inspired by the character of Maria from the movie Metropolis, the outfit implies that she was “custom-built” by the elite to influence the masses.

A couple of songs later, Gaga ditches the clutches and the robot outfit: She’s “internalized” the system.

At this point, Gaga performs a song appropriately titled The Beast which ends with the words:

I wanna feel the beast
I wanna feel the beast
I wanna feel the beast inside
I wanna feel the beast inside

You know that, in the Bible, Satan is referred to as “the Beast”, right?

Although she’s apparently back from the dead, Gaga is not necessarily alive. To emphasize this fact, Gaga performs a song appropriately called Zombieboy.

This entire part of the show is about death. More specifically, desecrating death.

The next song is appropriately called Die With a Smile and it is performed on a symbolic instrument.

Yes, this instrument is something a complete psychopath would create. Or people in the occult elite who engage in cannibalism and use skeletons as mementos of their insanity. That said, let’s look at a picture of Lady Gaga’s good friend, Marina Abramovic – the occult elite’s favorite witch.

After a few songs focusing on the theme of death, a new Gaga emerges.

In the final act, Gaga loses what’s left of her humanity and achieves immortality.

It is at this point that we hear:

Monsters never die!

She’s not human anymore, she’s an immortal “monster.” What kind of adrenochrome-infused procedure did she undergo?

Gaga’s show ends with Bad Romance – a song about her complicated relationship with the dark side. Like Abracadabra, the song’s lyrics contain a magical spell, concluding this massive megaritual.

In Conclusion

Lady Gaga’s Coachella performance turned her musical career into a ritual drama, where the singer enacted a symbolic death and rebirth under the powerful influence of a demonic figure.

With song titles such as Bloody Mary, Abracadabra, Judas, and The Beast, we already get a sense of the show’s spiritual direction. However, the elaborate decor, wardrobe, and choreography took the symbolism to another level and turned this Coachella performance into a megaritual witnessed by thousands of unsuspecting partygoers.

Some might say that these fans were under Lady Gaga’s spell. Literally.

Source: https://vigilantcitizen.com/musicbusiness/lady-gagas-2025-coachella-performance-was-nothing-less-than-a-satanic-megaritual/